John Di Palma
John Di Palma drives the development of more human-centred teams, processes, and services. His career has included corporate, consultative, academic, and entrepreneurial experience in the organizational integration of design principles and practice. He is co-author of Parachutes (an Alpine Review project), co-founder of buckslip.email, and currently leading Digital Operations at MICHEL’S BESPOKE, a luxury clothier in Toronto.
LINKGreatest Hits
Mind clones. Self-aware digital beings, reconstructed from your life’s digital footprints, able to reason, remember, and feel.
Greatest Hits
The dawn of the anthropocene is forcing us to confront the full extent of our impact, beyond the physical destruction of habitat, to include social and cultural impact across species. What are the implications?
Greatest Hits
What is a product? And what are the broader implications for design when smart, connected products have become the norm? In Megan Neese’s EPIC piece “What is a Product?”, she argues for a product-design methodology rooted in place.
Greatest Hits
“Defensive architecture” is a term used to describe design features that are intended to restrict the use of space to a narrow set of activities that are approved by the owner.
Greatest Hits
Human-centered design programs and practices—from the likes of d.School and IDEO—are making their way into politics. Exploring what came out of the highly revered UK Government Digital Service (GDS) program.
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What is the role of IP as a competitive differentiator in a world of data and platforms — the interesting case of Tesla.
Greatest Hits
How will we manage the process of transition to increased automation? The interesting problem of human-centered design and automation, analyzed through the lense of the AF447 crash.
Greatest Hits
A collection of ideas, thoughts and recent developments related to our environment.
Greatest Hits
ISIS’s capabilities in shaping this media culture have been underestimated. Rather than an organization, ISIS is better characterized as a movement.
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